(SN), John Handy (as), Mike White (el vn), Jerry Hahn (g), Don Thompson (b) and Terry Clarke (d). In fact, although he largely wrote theatre songs and classical music, much of his output is highly influenced by jazz. Rec. (KS), Feature Sonny Rollins: Albums That Shook The World, Hill (p), Kenny Dorham (t), Eric Dolphy (f, as, bcl), Joe Henderson (ts, f), Richard Davis (b) and Tony Williams (d). If you’d like to discover more about the different types of jazz, you can take a journey through the most important jazz genres in history here or visit the Jazzfuel music homepage. (KS), Coltrane (ss, ts), Eric Dolphy (bcl, as), McCoy Tyner (p), Reggie Workman, Art Davis, Jimmy Garrison (b) and Elvin Jones (d). Rec. Rec. Within this admirably packaged 4-CD set from 2000 (easily the best collective incarnation of this music on disc) Armstrong’s accompanying groups expand to meet his conception as the years go by while Louis himself keeps making that big picture bigger. This sad, elegant melody has had lyrics put to it a number of times, perhaps most famously by Joni Mitchell on her collaborative album with the bassist, Mingus. Coleman had already made a splash with his JMT label output yet his playing and writing are more penetrating and focused here. Rec. Thanks for checking out this list of 10 of the great jazz ballads in history. 1965, Ravi Shankar’s 1962 Improvisations, with Bud Shank, and Don Ellis’ unrecorded Hindustani Jazz Sextet from 1965 briefly pointed the way but nothing prepared you for Indo-Jazz Suite, the first full collaboration between jazz and Indian musicians that was so hip it hurt in 1966. | All rights reserved, Jazz Albums that Shook the World: The 1950s, Jazz Albums that Shook the World: The 1960s, Jazz Albums that Shook the World: The 1970s, Sonny Rollins: Albums That Shook The World, Miles Davis – Sketches Of Spain (50th Anniversary Edition) ★★★★★, Such Sweet Thunder: inside Duke Ellington's literary world, Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery ★★★★★, The Dave Brubeck Quartet – Time Out (50th Anniversary Legacy Edition) ★★★★★, Miles Davis – Bitches Brew (40th Anniversary Deluxe Edition) ★★★★★, Charles Mingus – Mingus Ah Um (50th Anniversary Edition) ★, Ten life-changing jazz piano trio recordings, Ornette Coleman – Original Album Series ★, John Coltrane – A Love Supreme: The Complete Masters ★, Jazz Albums That Shook The World: The 1970s, Jazz Albums That Shook The World: The 1960s, Jazz Albums That Shook The World: The 1950s. (KS), Wes Montgomery (g), Tommy Flanagan (p), Percy Heath (b) and Albert Heath (d). (SN), Ornette Coleman (as), Freddie Hubbard, Don Cherry (t), Eric Dolphy (b cl), Scott LaFaro, Charlie Haden (b), Ed Blackwell and Billy Higgins (d). Jazz lives onstage. 1954, Timing is everything. ‘Sounds’ is a tour de force of scat through shifting tempos and meters that lasts 25 minutes where at one point, Carter, Hicks, Lundy and Washington each play in a different meter. 1969, Jazz and politics have always been entwined, but rarely in the music’s history have the links spelt out on record. 1999, It was not as if the Esbjörn Svensson Trio came out of nowhere. 1962, McLean had made by turns excellent and ambitious albums prior to this disc, but for one reason or another none of them had managed a completeness of conception that pushed him into the forefront of the music. A once-in-a-lifetime line up that makes the term “all-star” seem inadequate: trumpeter Davis, plus sax men John Coltrane and Cannonball Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Many are standards, covered by jazz artists over the years, both in vocal and instrumental versions. The present album, however, was a studio venture with a specially constituted group familiar with Mingus’ working quintets. Among other wonders, it contained the revolutionary 14-minute Dolphy-Richard Davis duet on ‘Alone Together’. Of course it was a complete red herring, because although Ornette did have a profound influence on subsequent jazz developments, it was an oblique one compared with that of Coltrane’s or Eric Dolphy’s or Miles Davis’. One of Strayhorn’s few ventures away from Duke Ellington and his Orchestra, this is not a famous record, but it is gratifying to hear the composer’s own interpretation of this fascinating jazz ballad. That’s what’s so refreshing about the Bad Plus. 1957, First issued simply as Basie and illustrated with “a tasteful” mushroom cloud it certainly had an explosive enough impact as it was his first album to capture the rich ensemble sound as well as the beat. The album highlight is ‘My Favorite Things’ taken at a brisk tempo with Hicks at his most explosive as his accompaniment blossoms into a counterline to Carter’s singing and by the coda who can say whether voice or piano predominates? Powell (p), Ray Brown (b) and Buddy Rich (d). 1. His solo piano is accompanied only by the interjections of a vocal choir in a slightly eccentric arrangement, and it is interesting to note that both melody and harmony differ slightly in comparison to better-known recordings. He went on to make more completely satisfying albums but this one broke the mould. Strange new harmonies, polyrhythms, pantonality and extended composition – with Russell and Gil Evans, jazz just became a complete new zone of potentialities. Completely devoid of any of the fashionable Americanisms of the day, its music was full of light and colour derived from European modernist classical and film traditions. With the possible exception of Idrees, the soloists weren’t up to the pianist’s level. Ah Um’s release came in the same year as his first evening appearance at the Newport Festival and the start of his record-breaking residency with Eric Dolphy. 2. Start your journey and discover the very best music from around the world. (KS), Charles Lloyd (ts, f), Keith Jarrett (p), Cecil McBee (b) and Jack DeJohnette (d). Inspired by Sly and the Family Stone’s ‘Thank You (Falettinme Be Mice Elf Agin)’ there’s even a tribute track on it called ‘Sly’. Miles got the altoist to shine through ballads and burnished blowing throughout, complementing in fine style while the rest of the crew kept a discreet distance. ‘Blue in Green’ is generally credited to Miles Davis, although there has long been speculation that this jazz ballad was actually composed by Bill Evans: according to the pianist, when he asked Miles for a share of the royalties the trumpeter wrote him a cheque for $25! Apart from ‘Infant Eyes’, the tunes, which are all composed by the bandleader, are themed around magic and folklore. Rec. So in a decade when the leitmotif was change, it’s arguable that Bitches Brew was the album that shook the music world up most. (JN) Reissued on Koch CD. 1959. The highlight may have been ‘Poinciana’, but every track is an object lesson in how to draw the best from a tune. 1947, These early Monk sides almost sank without trace when first issued as 78rpm singles, and it was only because of a LP selection under this title in the mid-1950s that more than a handful of punters took any notice. A new trio album, with bassist Tom Farmer and drummer Jorge Rossy, is due for release soon. Monk recorded the piece numerous times, including a solo piano version on Thelonious Himself and with his quartet on Live at the It Club. I feel the ranking of a musical masterpiece is one that should be open to constant rethink, even if the status remains the same in the end. This is a classic jazz ballad that everyone needs to know. Rec. An album of precisely focused moods, fragments of melody are crafted into masterful compositions shaped by the timeless elegance of Stanko’s trumpet and the copacetic playing of his young protégés. Little wonder that in December 1965 they were the first jazz act ever to play San Francisco’s legendary Fillmore Auditorium paving the way for The Fourth Way and the sonic zeitgeist that followed. You’re welcome to suggest new songs – or new versions – in the comments section! Once more they’d broken the mould, for themselves and everyone else. It also contributed to the growing awareness outside Europe, particularly in the United States, that important music was coming out of the old world. Original is best, however, and you will not be disappointed by a CD containing the bare LP track line-up. (KS)CD reissued on Revenant as Nefertiti – The Beautiful One Has Come. In fact, it’s often considered by critics to be the greatest jazz album of all time. Includes Album Cover, Release Year, and User Reviews. It had always been there in his music, but now, marrying the élan and high spirits of Flora Purim and Airto with his own naturally ebullient and melodically uplifting inclinations, Corea suddenly not only stepped forward himself past the stentorian gloom and machismo of the other fusioneers of the day, but redefined exactly what latin jazz should be about. ‘Kid From Red Bank’ featuring stride piano from the leader and ‘Whirly-Bird’’s shouting tenor saxophone by Lockjaw epitomise the uptempos, while ‘Splanky’ and Newman-and-Thad’s ‘Duet’ do it for the blues. John Coltrane’s fifth studio album is best known for the innovative, fast-moving harmony of the title track and ‘Countdown’, but the tender ballad ‘Naima’ has also become a standard. What Sauter delivered was a suite that stood up as music independently of anything Getz might add melodically but that left him plenty of room to create the most gorgeous tapestry of sound and emotion, interweaving between all the richness of Sauter’s lean, expressive scores. I didn’t fully realise it then, but Kind of Blue helped me see the vastness before me and rejoice in its expanse. (KS), Joe Harriott (as), Kenny Wheeler (t), Pat Smythe (p), Coleridge Goode (b), Allan Ganley (d), John Mayer (vn, harpsichord), Chris Taylor (f), Diwan Motihar (sitar), Chandrahas Paiganka (tambura) and Keshan Sathe (tabla). Rec. This led to something of a temporary eclipse in his profile in the first half of the 1970s, although his creativity continued to diversify and deepen. Not as successfully integrated as their subsequent Indo-Jazz Fusions I and II, this however first put the fat in the pan for Gabor Szabo, Shakti, Trilok Gurtu, Mukta, Nitin Sawhney and the feast of Indo-Jazz that followed. More famous versions include the two by John Coltrane: it appears on the album Lush Life and on his recording with vocalist Johnny Hartman. (KS) Reissued on Chess. A stylistic crossroads where folk, avant-jazz, electronica and raw punk co-existed, Rochford’s music was aptly called “the sound of the future” even though it betrayed a love of Ellington, Monk and, yes, Napalm Death. (KS), Gillespie (t), Charlie Parker, Sonny Stitt (as), Dexter Gordon (ts), Clyde Hart, John Lewis, Frank Paparelli (p), Milt Jackson (vb), Chuck Wayne (g), Ray Brown, Curly Russell, Slam Stewart (b), Sid Catlett, Kenny Clarke, Cozy Cole, Shelly Manne (d) and Sarah Vaughan (v) plus many others. “Film dictates untypical construction,” Stanko has recalled. Seamlessly featuring soloists like Wayne Shorter, Johnny Coles and Phil Woods, this album is pure musical alchemy from a total original. It’s also important to stress Brubeck’s commitment to collective invention within his group: still an unusual thing in jazz in 1959. 1958, Blakey was in on the ground floor when it came to the evolution of hard bop into soul jazz, having co-led the first Jazz Messengers with Horace Silver back in 1956. Kind Of Blue - Miles Davis While it is one of the top selling jazz albums of all time, many consider this to be THE best jazz album of all time. The various CD versions of this set come in all manner of configurations, many with as much as five bonus tracks. (CA), Review Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery ★★★★★, Frank Sinatra (v), Nelson Riddle (arr, cond) and big band. 1956, Recording of Brilliant Corners began 50 years ago next month, making an impact hard to imagine these days. (KS), Betty Carter (v), John Hicks (p), Curtis Lundy (b) and Kenny Washington (d). At a time when the music had “gotten thick” as Miles said, Kind of Blue distilled modern jazz into a cool and detached essence. Learn how your comment data is processed. Body and Soul is a popular tune written in 1930 by Johnny Green. Modern version of Goodbye Porkpie Hat: Juhász Gábor Trió – TRIO. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy. Some CD issues of this album contain the 17-minute rehearsal version of ‘Free Jazz’, called ‘First Take’, as a bonus. Your email address will not be published. (KS), Review: John Coltrane – A Love Supreme: The Complete Masters ★★★★, Miles Davis (t), John Coltrane (ts), Cannonball Adderley (as), Wynton Kelly (p), Bill Evans (p), Paul Chambers (b) and Jimmy Cobb (d). Early vinyl attempts to collate his best material were haphazard at best, especially from the original Savoy company, so it wasn’t until the 1960s and 70s that things got in any way organised and proper chronological reissues were successfully brought to market. These sessions, like the Parker Savoys, are the holy tablets of bop. 1964. Similar things apply to ‘Bird Calls’‚ and ‘Goodbye Pork Pie Hat’, where Handy pays oblique homage to Parker and Lester Young respectively but don’t ignore the crucial reactions of the crisply recorded Richmond. This is a very powerful part of the album’s pull, as is the tautness of each selection’s form, and it must also account for the hold it has sustained magically over listeners who otherwise venture rarely into any form of jazz, including the progressive rock fans of the late 60s and onwards. That it worked for others can be heard in Lee Konitz and Warne Marsh, and that it was influential can be discerned through Bill Evans’s absorption of Tristano’s methods. Rec. Later we all learned that he’d cut his musical teeth on tenor in Texas R&B bands and it all made sense: at the time it sounded as if Attila the Hun had been resurrected at the Five Spot and in Atlantic’s recording studios and was in no mood to do deals. Écoutez Trombone Jazz Show: Best Instrumental Bossa Songs, Swing Jazz and Ballads par Jazz Music Collection sur Deezer. 1945-47, People call Billie Holiday THE voice of jazz. Rec. So? This classic mid-50s session puts Frankie’s jazz credentials perfectly in order and throws down the gauntlet for everyone else. (KLG). Composed by the classic song writing team Rodgers and Hart, ‘My Funny Valentine’ first appeared in the 1937 musical Babes In Arms, which produced a number of other hits including ‘Where or When’ and ‘The Lady Is A Tramp’. Joe Zawinul (ky), Wayne Shorter (ts, ss), Jaco Pastorius (b), Alex Acuña (d) and Manolo Badrena (perc). 1955, Theorist, teacher, creative thinker and virtuoso pianist, Tristano had advanced and very firmly held views about what constituted good playing practice. I’ve been sailing the waters, listening and learning, ever since. This album was one of the very first to be made in America and its impact was immense, its melodicism, warmth and simplicity brought something new and refreshing to the often overheated, testosterone-filled gladiatorial pit of small group improvising to established harmonic patterns. submitted 1 ... save; hide. It also points the way for those who follow. Fontessa was their first for Atlantic with the fully integrated line-up including Connie Kay: it delivered a perfect blueprint for the many MJQ advances of the next decade. Coming out of the universal consciousness of mentor John Coltrane and borrowing some of the celestial majesty of his widow Alice, Sanders gets modal-hymnal on the enduring ‘The Creator Has A Master Plan’ and dazzlingly abstract on ‘Colors’. There are hundreds of great jazz ballads about there, and even more versions of these. The only thing certain about postmodernism is uncertainty, so we should pay attention to this music, because uncertainty in an uncertain world is shaping all of us. That one record – it’s not even six degrees of separation – is maybe two degrees of separation from every great jazz record.”. This album emphasises the latter talents: he uses his highly personal sense of composition and instrumental colour much as Jelly Roll Morton did back in the late 1920s, bringing out sensational new sonorities and ideas between the select group of musicians he is using here and goading them to some of their most eloquent playing, individually and collectively. The level of invention Powell achieves puts this recital on equal par with anything in the recorded annals of jazz piano and makes it basic required jazz listening. The overall marvel of this record is that, while it proved to be so pregnant with ideas for those who followed in the next decades, the music grips the listener as excitingly as ever today. Livraison gratuite dès 25 € d'achats et des milliers de CD. Rec. They also had a secret weapon in that all four musicians were steeped in the blues and could wail whenever they needed to, thus obviating any tendency to effete noodling when things got a little formal. The song is primarily in a minor key (it is usually performed in C minor, at least by instrumentalists), but a four bar ‘tag’ at the end of the final ‘A’ section resolves to the relative major. Find album release information for Best of Jazz Ballads [EMI] - Various Artists on AllMusic Rec. (KS), Armstrong (ct, v), Honore Dutrey, Edward Kid Ory, J.C. Higginbotham, Jack Teagarden (tb), Johnny Dodds, Don Redman, Jimmie Noone (cl), Barney Bigard, Happy Caldwell (ts), Lonnie Johnson (g), Johnny St Cyr (bj), Lil Hardin, Earl Hines (p), Baby Dodds, Zutty Singleton (d) and others. The composer, Johnny Green, wrote various other songs that have become jazz standards, including ‘Out of Nowhere’ and ‘I Cover The Waterfront’. (SN), John Medeski (ky), Chris Wood (b), Billy Martin (d) and DJ Logic. 8 May 1965, Tracey is indispensable, a one-man mission statement. Historically, these have often been romantic ‘torch songs’ drawn from the Great American Songbook – songs that were originally written as show tunes or pop songs in the 1920s or ’30s, but have now become classic jazz standards. An adept at solo recitals (his Facing You for ECM in 1970 was a strong harbinger), he began a series of in-concert recitals for Manfred Eicher’s label that attracted acclaim and increasing public interest, but no-one was prepared for what happened to The Köln Concert when it appeared. Loading; Dexter Gordon-Live At Carnegie Hall. 1. Unlike his first two Riverside releases, respectively of Ellington standards and a bunch of other jazz standards, this was nearly all Monk’s own tunes and three of the four were new, none more so than the extraordinary title-track which gave so much trouble to the all-star cast who’d never seen it before. Jazzfuel is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. Rec. Using the bubbly Clark Terry and Paul Chambers on a subsequent session was a stroke of genius, as was the unaccompanied piano track. (SN), Sarah Vaughan (v), Clifford Brown (t), Herbie Mann (f), Paul Quinichette (ts), Jimmy Jones (p), Joe Benjamin (b) and Roy Haynes (d). In the process they lay to rest Bill Evans soundalike comparisons once and for all. Diana Krall (v, p), Russell Malone (g) and Christian McBride (b). 1962, By 1962 Peterson’s trio was one of the top draws in jazz worldwide and Peterson himself habitually won every jazz piano popularity poll going. It proved the same for a number of rock groups, such as the Allman Brothers, Grateful Dead and Santana, that used the electric guitar as the solo instrument of choice, and set the standard for generations of jam-oriented bands to follow. Looking for ways to grow your career as a jazz musician? Of the many ideas I gathered for my book on Kind of Blue, there is one quote in particular that comes to mind whenever the subject of relative value arises. (A part of the Rec. However, in the case of ‘Stardust’ it’s usually considered essential. Put that all together and the unusual time signatures that mark this album out tend to pale in significance while the music remains convincing. 1950-51Two Herculean trio tunes – ‘Tea For Two’ and ‘Hallelujah’, both taken at breakneck speeds – make up the 1950 contribution here. Taylor had been a thorn in the modern US jazz world’s side since the mid 1950s with his uncompromising approach to music-making, but up until this live date recorded in Copenhagen by the Danish Debut label he’d not made the decisive steps into free playing that would revolutionise the very basis of jazz rhythm. (DH), Esbjörn Svensson (p), Dan Berglund (b) and Magnus Öström (d). (KS), Jackie McLean (as), Walter Davis (p), Herbie Lewis (b) and Billy Higgins (d). At Coltrane’s side pianist McCoy Tyner adapted Bill Evans’ innovation of quartal harmony, the use of fourths on ‘So What’, to legendary results. This site uses Akismet to reduce spam. 1969, What a sleeve! The best of the later Hawk is on Verve, but this intro is nicely rounded. “I hear it everywhere – it becomes hard to separate the modality that exists in rock ’n’ roll, some of it could be directly from Kind of Blue.”. That’s America!….It’s almost like a National Anthem!”. The Blue Note RVG version contain an extra track from this session. All that plus Joao’s wife Astrud as a last minute show stealer and you have a classic on your hands. 1975, The first blooming of Metheny’s great talent as a recording artist in his own right came with this stunning trio which he led while teaching at Berklee School of Music and a member of Gary Burton’s group of the day. (KS), Cassandra Wilson (v), Charlie Burham (vn), Brandon Ross, Gib Walton, Chris Whitley (g), Kenny Davis, Lonnie Plaxico (b), Kevin Johnson, Lance Carter, Cyro Baptista and Bill McClellan (d, perc) plus others. Rec. (SN), While the song titles – dedications to innovative musicians such as John Cage, Cecil Taylor and Leroy Jenkins – gave a clear indication of where the Association For The Advancement Of Creative Musicians iconoclast was coming from, few could have seen where, or rather how far, he was going on this landmark solo recital. Rec. Rec. Découvrez toutes les promotions CD & Vinyles, les nouveautés ainsi que les titres en précommande. The short, 10-bar form lends the piece a circular feeling, with each chorus blurring into the next. Reaction at the time seems to have been along the lines of where on earth did this come from? (SN), Adderley (as), Miles Davis (t), Hank Jones (p), Sam Jones (b) and Art Blakey (d). Of course, he remains the group’s most gripping player (he wrote all the material too) and his imitation of a drunk on ‘Straight Up And Down’ remains unsurpassed except by himself. A later two-CD version combines much improved sound with the complete festival appearance, plus studio extras. The title track features “solos” by the three horn players and pianist Van Hove, each as ferocious as the other. With the spotlight for once firmly on Young himself, the intimate date exhibits all Young’s soul, elusive melodic and rhythmic invention, down-home drive and unearthly delicacy and shows just why he was Charlie Parker’s early idol. My theories on why that particular Miles album maintains its hold on the top of various charts never seem to settle comfortably on one explanation. I'm fond of Dexter Gordon's Ballads album. As such, it offered a completely fresh pool of delights to fish in. Novice producer Teo Macero’s tight editing allowed for more tunes and more user-friendly presentation than on Blues And Roots. (KS), John McLaughlin (g), Jerry Goodman (vln), Jan Hammer (key), Rick Laird (b) and Billy Cobham (d). Read more about Ella Fitzgerald as part of our list of the best jazz singers in history. Its sophisticated lyrics, also by Strayhorn, are a weary lament on failed romance and tiresome nightlife, while its harmony moves through various key centres and contains multiple chromatic shifts. Often referred to as the godfather of modern jazz, Miles Davis has gone through stages of producing ballads to improvisational hard jazz that takes a seasoned listener to appreciate. (BP), Review: Charles Mingus – Mingus Ah Um (50th Anniversary Edition) ★★★★★, Monk (p, celeste), Ernie Henry (as), Sonny Rollins (ts), Oscar Pettiford/Paul Chambers (b), Max Roach (d) and Clark Terry (t). Only later that his musical forms were grasped and understood ” by the time she settled with in... A tumbling roller coaster of ideas a lilting feel and various harmonic.! Want to add to the shaping of a European aesthetic in jazz composition en.! Points 7 points 8 points 1 year ago various ‘ pedal points ’: changing over! 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