Last but not least, is the C500 Mark II. The data rates are great, but you get that extra 6K RAW for higher-end productions. Here’s the approximate increase in price over the C300 Mark III: *Taking Angenieux EZ-1 and EZ-2 as examples. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. This allows to manually set the ISO level. Canon EOS C500 Mark II. Availability: Shipping Early 2021. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. Not only does it add to the cost of the camera, but also the time to work with RAW in post, and the cost of additional storage and processing power. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. This page is currently only available in English. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. That’s a $600 dollar value right there. This means you don’t have to go down to 2K or HD just to get high frame rates, and you can take advantage of all the possibilities of 4K. This applies to both cameras. Both cameras have Dual Pixel AF with support for Touch AF and Face Detection AF. We consider a thinner chassis better because it makes the product more compact and portable. Documentary filmmaker Ben Sherlock explores what the full-frame EOS C500 Mark II and its Super 35mm Cinema EOS stablemate, the EOS C300 Mark III, can offer in the field. With the Canon EOS C500 Mark II and the Canon EOS C700 FF, you're able to have a full-frame A-cam and B-cam producing material that can be very easily matched in post. ^Canon RAW is actually Canon RAW Lite, written internally, at about 1/3 to 1/5th data rates. One important thing to note is you get a free 512 GB CFexpress card and reader with the C500 Mark II. When recording movies they stay focussed and sharp. The maximum resolution available for videos shot with the main camera. on Canon C300 Mark III vs Canon C500 Mark II: When to pick which? If you use dual pixel AF, LUTs, etc., the consumption will be higher. If yes, then the Canon C300 Mark III is the right investment for you. With manual white balance you can choose the most accurate setting and avoid the green, blue or red hue which can occur in auto mode. What you get: I believe these are the features that contribute to food on the table. This allows to manually set the exposure. EF to PL mount (PM-V1) 3. I´ve tried the C200 with Sigma 18-35 f1.8 and the 50-100 f1.8 a few times and I loved the image I got out of this combo, but the c200 raw is a bit too noisy for my liking, so the c300 mark III fixes that with DGO and adds the electronic image stabilization on top of that. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. What is dual pixel AF? Not many clients pay extra for 6K or RAW workflows. Most of the Cinema EOS cameras are Netflix approved. These cookies do not store any personal information. Thankfully both these cameras have changed that. What this means for the average shooter is that the image quality differences between the two might not be significant enough. Buying guide comparison of the new Canon EOS C70 vs C300 Mark III vs C500 Mark II models Canon EOS C100 Mark II. The Canon 300 Mark II and the original C500 both had audio modules separate. The best online film school for serious filmmakers. Clients do pay extra for color grading or DI, and there are decent enough budgets for: You will be working with enough margins to recoup the additional cost in just a matter of months. Devices with a HDMI or mini HDMI port can transfer high definition video and audio to a display. With a standard mini jack socket, you can use the device with most headphones. It's a standard popular among professional cameras and camcorders. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. Canon C500 Mark II. These cookies will be stored in your browser only with your consent. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. Frame rates for slow-motion videos vary between 60fps and 960fps. You can always buy cheaper batteries, but the same applies to both cameras. Appearance-wise, the EOS C500 Mark II isn’t a radical departure away from what Canon … You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. However, the megapixel count is not the only important element determining the quality of an image. Also, if you have multiple accessories it’s a good way to power them as well. If I had to pick just one winner for myself, I’d pick the Canon C300 Mark III. *As of this writing. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. Does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? La Canon C500 mark II es capaz de entregar video de hasta 5.9K RAW internamente, mientras que la Sony FX9 solo graba hasta 4K internamente y 6K externamente. From easy craft ideas to origami-style 3D models – bring the paper fun into … The device has a standard memory slot (such as an SD or micro SD card slot) that enables you to extend the built-in internal storage with affordable memory modules, or easily retrieve data, such as photographs, from the memory card. It’s more than that. Don’t forget to take that into account. If you were a independent filmaker wanting to make films for festivals iTunes Netflix and occasional big screen as well as corporate videos and commercials which would you pick between these two ? Original batteries only, from B&H. However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. According to Canon: For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Seamless transfer of images and movies from your Canon camera to your devices and web services. I don´t need or want 6K, more DR, more managable file sizes in raw, 120p, same body, autofocus at all frame rates and brilliant 10-bit 4:2:2 codec options. Rigging the Canon C500 Mark II Prices. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. The 38.1 x 20.1 mm sensor offers an impressive fifteen stops of dynamic range. image.canon image.canon image.canon. Creative Park Creative Park Creative Park. The C500 Mark II clears this easily, and outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. The number of megapixels determines the resolution of the images captured with the main camera. Canon EOS C700 Should you opt for a locking mount? Hi, Thanks for the comparison. No 6K. A stereo microphone allows to record audio files or movies in stereo without an external microphone. Thinness is a feature highlighted by many manufacturers of mobile devices, but it is essential for a wide range of products. If you’re using cine lenses or heavier zoom lenses then definitely yes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. You can use anamorphic lenses that take advantage of the true anamorphic frame. Secondly, the larger sensor of the C500 Mark II is probably better in low light situations. They can be very compact and cost relatively little to produce. The recent announcement was made last week. The remote control can be included or optional. Necessary cookies are absolutely essential for the website to function properly. For the most versatile functionality you need to purchase the Canon EU-V2 Expansion Unit: This gives you two audio controls on the operator’s side as well as two additional channels to record audio. CMOS image sensors are slowly replacing CCD sensors, due to reduced power consumption and better image quality. Slow-motion is an artistic video effect that makes time seem to go slower. You also have the option to opt-out of these cookies. Image stabilization for smaller sensors will be better than larger sensors. Both cameras use the same sensor, and share the same basic colour gamut, log setting and colour matrix. The Canon C500 Mark IIis definitely more expensive on paper. The new Canon C500 Mark II is a 5.9K full-frame cinema camera. 24p is a video format (24 frames per second) traditionally used in cinema. https://versus.com/en/canon-eos-c300-mark-ii-vs-canon-eos-c700 Canon introduced a fascinating camera, although it’s probably going to cannibalize the C700. It’s a no-brainer, really. At the heart of the EOS C500 Mark II is the same sensor found inside Canon’s EOS C700 camera, a5.9K full-frame 17:9 sensor, which Canon says offers more than 15 stops of dynamic range. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. The width represents the horizontal dimension of the product. Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. The Canon C500 Mark II can shoot 4K in Super35mm, at up to 60p. For just Genlock, you can purchase the cheaper Canon EU-V1: It is clear if you need the cameras for any sort of regular broadcast work you will have to purchase the EU-V2 expansion unit. I have the c300 mark III on preorder. Those extra benefits that didn’t contribute directly to income in the low budget space take on importance here. An electronic viewfinder (or EVF) is a small display which shows the framed image. Similar to the EOS C700 FF model, the EOS C500 Mark II features a full frame 38.1 x 20.1mm sensor with a 17:9 aspect ratio. 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